In the realm of post-cinematic form, Steven Shaviro’s insights guide us through a landscape where filmic cinema is not merely transformed but surpassed by the cultural-technological regime of post-cinema. This week, we explore the techniques and images that define this shift, unraveling the kaleidoscopic, zero-gravity, and hallucinatory feelings that emerge from the new structure of feeling.

An exemplary illustration of post-cinematic form can be found in the visually stunning film “Enter the Void” directed by Gaspar Noé. This psychedelic journey explores the boundaries of cinematic representation, employing techniques such as discontinuous editing, mesmerizing special effects, and simulated realities. The film immerses viewers in a hallucinogenic experience, challenging traditional notions of continuity and narrative structure.

Shaviro’s concept of post-continuity becomes palpable in “Enter the Void” as the film embraces a non-linear and disorienting narrative style. The visual language of the movie mirrors the schizoid franticness of the post-cinematic image regime, creating a sensory overload that defies conventional storytelling norms.

Moreover, cultural models such as chaos cinema and digital contours contribute to our understanding of this cinematic metamorphosis. The film “Inception,” directed by Christopher Nolan, exemplifies the exploration of digital realism and the manipulation of digital space. Nolan’s intricate use of special effects and mind-bending narrative structures reflects the necessity of new orders and organizations in confronting the challenges posed by the post-cinematic era.

As we traverse this post-cinematic landscape, the neuro-image emerges as a lens through which we perceive the convergence of technology and perception. The film “Eternal Sunshine of the Spotless Mind” directed by Michel Gondry takes us on a journey through memory and emotion, showcasing how the neuro-image intertwines with storytelling to create a profound cinematic experience.

In conclusion, the exploration of post-cinematic form unveils a dynamic interplay of techniques, images, and feelings. Whether perceived as a dystopian schizoid franticness or a necessary new order, the post-cinematic era challenges our perception and trains us in the skills required to navigate the complexities of a rapidly evolving audiovisual landscape.

Posted by Yaqi Jiang