In the reading of this article, I have learned that the aesthetic and sensory structure will change. On this basis, I have looked more deeply at the emotion and influence brought by the nature of performance. 

This article discusses the use of audiovisual essays as a form of research expression in the field of screen media studies and cultural studies. It discusses the idea of using audiovisual materials as a core component of audiovisual studies. In it, the author emphasizes the role of performance discourse, which is not only a phenomenon that conveys information, but also produces real effects in the world. The article also mentions the use of intertextual references in video articles, which challenges the unity and sense of self-existence of the viewing object. For example, if a person’s speech leads to an event, then the development of the event will be based on the direction of the speech. It demonstrates the nature of language, in which words not only describe the actions of the world, but also represent the actions of the world. This challenges the traditional understanding of language as an instrument of expression and highlights the role of language in shaping and constructing reality. But performative discourse has nothing to do with descriptions or facts, but with actions that people take. The author also distinguishes this concept from fixed speech. 

The author cites a chapter from a book that explores the concept of archiving and how it relates to the cinematic experience. The article discusses the use of typed captions in films, the labels, descriptions, comments and issues of these captions, prompting further reflection. Because typing can evoke a sense of performative discourse, in this feeling, the act of typing itself becomes a form of communication and action, and more confirms the point of view of the whole article.

Long Ke