An interesting topic for discussion is the significance in the shift from analogue to digital media, and further, the impact that this shift has had on contemporary media consumption and production. Examples of “new media” find ways of utilising both traditional and modern techniques. It is true that analogue film can give one much less versatility in terms of editing scenes, moving things around and changing the sequences of a film. In that respect, digital media and contemporary ways of filming and production have become the most commonly used, as well as having the advantage of digital animation (such as James Cameron’s “pseudopod”) and special effects. Steven Shaviro, however, argues that authenticity and engagement in cinema is truly only captured in analogue and traditional film. Further, while these modern techniques allow a filmmaker to edit scenes, their progression and add effects on to them, Shaviro argues that this is what gives an audience a more fragmented, discontinuous plot, ultimately providing a less immersive experience.

This debate surrounding the benefits and limitations of each cinematic form gives one a deepened sense of understanding and curiosity when watching film. Identifying and analysing these techniques allows a subject to determine their standpoint on this transformation. Many people enjoy fast-paced discontinuity, such as action or horror sequences which are framed to disorient the viewer and overwhelm them (e.g. The chase scene in Texas Chainsaw Massacre). While, other viewers prefer a slightly slower-paced, linear experience in which they can observe and immerse themselves in someone else’s “reality.” Shaviro’s critique relates to Bazin’s concept of ontology in analogue cinema, specifically that the subject leaves “traces” on a physical copy of cinema, and illustrates a tangible experience.

Ref.
Cameron, James. Dir. [1989] The Abyss
Shaviro, S. (2010). Post-cinematic affect.
Hooper, T. (Director). (1974). The Texas Chain Saw Massacre [Film]. Bryanston Pictures.From https://youtu.be/hQ6vSA3OVmo?si=HjMNzyXvRZ3rGPF2

EVE MCCABE EAGER