From its depiction of mental health difficulties to its criticism on social issues, Todd Phillips’ picture “Joker” has received critical praise and generated discussions on a number of topics. However, “Joker” acquires a new depth and meaning when analyzed from the perspectives of post-continuity, post-cinematic form, and the new structure of sensation.

The article ‘Post-Continuity: An Introduction’ by Steven Shaviro explores the change in 21st-century narrative structures and cinematic aesthetics. He contends that post-cinematic films now have a more disjointed and discontinuous aesthetic in place of conventional narrative approaches and continuity editing. “Joker” exemplifies this post-continuity strategy with its confusing storyline and nonlinear storytelling. Because of the film’s blurring of the boundaries between fact and fiction, viewers are left wondering whether the events portrayed on screen are indeed true. This narrative fragmentation reflects the confusing and disorganized nature of the main character’s spiral into violence and lunacy.

‘Digital Cinema’s Conquest of Space’ by William Brown examines how digital technology affects cinematic aesthetics and space. To increase the sense of surrealism and immersion, “Joker” employs digital effects and visual storytelling techniques. The use of computer-generated images contributes to the film’s grim and grim depiction of Gotham City, presenting a dystopian society where the lines between truth and fiction are blurred. The film’s surreal feel is enhanced by this artificial alteration of space, which also questions conventional ideas of cinematic representation.

The ‘Special Effects and Kaleidoscopic Perception’ article by Scott Bukatman explores the spectacle and sensory overload of modern film. “Joker” makes use of special effects to produce a visually striking and emotionally stirring film. The film’s use of surrealistic and kaleidoscopic graphics intensifies the audience’s emotional reaction and draws them into the protagonist’s tumultuous world. By stretching the limits of conventional cinematic storytelling, the film’s artistic excess and sensory overload evoke a visceral and emotional response from the viewer.

Overall, according to a number of academics in the subject, “Joker” is an example of the new structure of sensation in modern film. The film defies conventional cinematic conventions and encourages viewers to connect with it on a more profound, emotional level because to its inventive narrative structure, digital aesthetics, and sensory manipulation. “Joker” exemplifies a new generation of filmmakers that embrace post-continuity, post-cinematic form, and the changing terrain of digital screen culture.

Elisa Hu