‘Post-cinema’ refers to a conceptual framework in film theory and criticism that explores the ever-evolving nature of cinema in a response to advancements in technology, cultural changes, and new modes of viewing. It signifies movement beyond traditional narrative and aesthetic norms and conventions, often incorporating elements from digital media and experimental forms. 

Sean Baker’s 2017 poignant coming-of-age film, The Florida Project follows 6-year-old, Moonee and her impoverished young mother, Halley. The pair live in a budget motel near Florida’s Walt Disney World and Baker perfectly unionises the technicolor magic of childhood and the grim reality of economic hardship within the story’s narrative. 

The majority of the film was shot on classic 35mm film. In the context of this analysis, this decision signifies both a creative choice and an homage to cinematic traditions. It also represents the physicality behind movie-making, something that is arguably being lost within the post-cinematic industry.  

Baker bridges past and present and makes an intriguing decision to use an iPhone 6S to shoot the film’s final scene. It’s messy and invasive and allows for audiences to move alongside the young protagonists during this heightened moment. He states in an interview ‘I was using the iPhone 6s Plus for The Florida Project, and it has what’s called a rolling shutter, it gave it this hyperactivity and a very different, jarring feel, and we liked that.’ Film theorist and critic Steven Shaviro acknowledges that different mediums have their own unique effects. In terms of aesthetics, films made with iPhones evoke a powerful connection to the subject matter. They reflect the mundane and capture moments that resonate with current experience. In regards, to post-cinematic forms he states, ‘The shift towards mobile and digital filmmaking challenges established narrative conventions, inviting new forms of expression and engagement.’ (Shaviro, 2010)

Sean Baker exemplifies a new generation of filmmakers who are no longer confined to budget or material, allowing for accessibility and new connections to the art of film. The Florida Project shadows an exciting future of cinema, showcasing the endless possibilities of cinematic experience within an era of post-cinematic form. 

A, Lee (2017) ’The Florida Project’: Director Sean Baker Explains How and Why He Shot That Ending The Hollywood Reporter 

S, Shaviro (2010) Post-Cinematic Effect Zero Books

Written by Lara Shaw 33695257