Digital Audiovisual Media Class Blog

A space for uploading regular blog posts on topics covered in the module

    • Does Netflix make people binge watching ?
    • Just a test
    • TEST
    • Unraveling the Evolution of Post-Cinematic Narratives
  • Valorant Game Players and Youtube

    There is a strong connection between Valorant gamers who use YouTube and the various types of channels and content that are produced on the platform. This trend reflects the wider popularity of gaming content on YouTube. Many competitive gamers take advantage of YouTube to share a range of content, including professional match footage, tutorials that…

    michaelgodd

    November 28, 2024
    Uncategorized
  • Expressions and Problems of Chaos Cinema

    What does Chaos Cinema means? When audiences watches action sequences or dialogue sequences, the movements might be shaky, intensified, or even to an extent of feeling overwhelmed by the amount of information that is happening on screen. Audiences will receive the tension and chaoticity from this type of style under a particular sense of purpose.…

    michaelgodd

    November 28, 2024
    Uncategorized
  • Quality content is no longer confined to the big screen of cinema.   

    Cinema has always entertained and influenced the human race, in the 1896 ‘Arrival of a Train at La Ciotat, we first saw the power of the bubble of cinema, where the viewers of the film ran for their lives from the train approaching the screen. However, the machine of cinema has changed, where the dispensary…

    michaelgodd

    November 28, 2024
    Uncategorized
  • Exploring YouTube’s role in cinematic assemblage

    In the “Assemblage” chapter of Casetti’s The Lumière Galaxy, he states the cinematic “machine” is made of distinctive components: theatre, screen, audience and film. Casetti claims, in the digital age, the “machine” no longer appears to be an apparatus: closed and predetermined. Rather it’s an assemblage: a dynamic structure, where each element changes together with…

    michaelgodd

    November 28, 2024
    Uncategorized
  • Carol Vernallis and the Second Aesthetic: From MTV to TikTok

    Rhys Mitchell 33753411 MTV once ruled the world of music videos, pumping out big-budget productions and clear messages from the artist. Directors like Hype Williams turned music videos into mini-blockbusters, leaving fans in awe but firmly on the sidelines. Fast forward to today, and platforms like YouTube and TikTok have changed that one-way relationship. Carol…

    michaelgodd

    November 28, 2024
    Uncategorized
  • The Umbrella Academy, Trans TV, and Box-Ticking

    Rhys Mitchell 33753411 When The Umbrella Academy reintroduced Elliot Page’s ‘Viktor Hargreeves’, it felt like a groundbreaking moment for trans-representation. Here was a major show incorporating a trans-character into its story with respect and care. But as season 3 unfolded, Viktor’s transition was treated almost as an afterthought – a quick conversation, a few affirmations,…

    michaelgodd

    November 28, 2024
    Uncategorized
  • Post-Cinematic Affect in Everything Everywhere All At Once

    Rhys Mitchell 33753411 Everything Everywhere All At Once is a wild ride through the chaos of modern life, wrapped up in a mind-bending, multiversal adventure. The film follows Evelyn Wang, an overlooked laundromat owner, as she’s thrown into a dimension-hopping journey that’s as emotionally overwhelming as it is visually dazzling. It’s messy, weird, and deeply…

    michaelgodd

    November 28, 2024
    Uncategorized
  • Mareike Jenner, the Binge Model, and the downfall of traditional TV

    Rhys Mitchell 33753411 Streaming platforms have promised us everything – entire seasons at our fingertips, endless on-demand content, and the freedom to watch whenever we please. But as binge-watching becomes the dominant mode of consumption, TV is arguably losing that magic which made it a shared, emotional experience. Mareike Jenner suggests that streaming, while convenient,…

    michaelgodd

    November 28, 2024
    Uncategorized
  • David Rodowick and CGI saturation in Cinema

    Rhys Mitchell 33753411 Digital technology has advanced to the point that computers can conjure up just about anything that our creative minds can imagine; from incredible alien worlds, terrifying monsters, and death-defying action scenes. CGI doesn’t force stuntmen to risk life and limb to get that perfect visual, it doesn’t require complicated pyrotechnics, or expensive…

    michaelgodd

    November 28, 2024
    Uncategorized
  • Song reaction videos impact on viewers

    Over the past couple of years reaction videos to music videos and songs have been becoming more and more popular. And they are changing how we watch and view songs from artists all over, as reactions are becoming bigger and bigger.  Reaction videos allow people to have a sense of community and social interaction when…

    michaelgodd

    November 28, 2024
    Uncategorized
←Previous Page
1 … 22 23 24 25 26 … 103
Next Page→

Blog at WordPress.com.

  • Subscribe Subscribed
    • Digital Audiovisual Media Class Blog
    • Already have a WordPress.com account? Log in now.
    • Digital Audiovisual Media Class Blog
    • Subscribe Subscribed
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar